el Fresco mk68, la anchura de Convento de pared Florencia de SantApollonia 1447 ltaly mk68
Fresco,width of wall
Florence
Convent of Sant'Apollonia
1447
ltaly
LEONARDO da Vinci
Dura Cena Last Supper
Pintura identificación:: 30446
el Petróleo mk68 en la Iglesia de lona 12x87 Venecia de San Giorgio Maggiore 1592-1594 Italia mk68
Oil on canvas
12'x8'7"
Venice
Church of San Giorgio Maggiore
1592-1594
Italy
Joan de Joanes
Dura Cena Last Supper
Pintura identificación:: 32868
mk86 1480 Fresco, anchuratotal 812 cm Florencia, el Convento de San Marco.Refectorio mk86
1480
Fresco,total width 812cm
Florence,Convent of San Marco.Refectory
Dieric Bouts
Dura Cena Last Supper
Pintura identificación:: 33434
la Témpera mk86 after1450 en la madera 162x170cm Barcelona, Museu de Catalunya mk86
after1450
Tempera on wood
162x170cm
Barcelona,Museu d'Art de Catalunya
Leonardo Da Vinci
Dura Cena Last Supper
Pintura identificación:: 33467
mk86 1495-1498 témpera del Petróleo en el yeso 460x880cm Milán, delle de Santa Maria Grazie, el Refectorio mk86
1495-1498
Oil tempera on plaster
460x880cm
Milan,Santa Maria delle Grazie,
Refectory
LEONARDO da Vinci
Dura Cena Last Supper
Pintura identificación:: 38513
mk137 1495-1498 petróleo y la Témpera en Santa de la gracia de della de piedra 460x880cm Maria Milán mk137
1495-1498 oil and Tempera on stone 460x880cm Santa Maria della grace Milan
Jacopo Tintoretto
Dura Cena Last Supper
Pintura identificación:: 41184
1588-1603 Oil on canvas Museo de Bellas Artes, Seville In addition to Italian influences, the impact of northern painters, such as Marten de Vos and Maerten van Heemskerck, on painters in Seville at the end of the 16th century was important. The resulting hybrid of Italian and Flemish elements became the dominant mode of expression until well into the seventeenth century and is first observable in the work of Alonso V?zquez, who worked in Seville from 1588 until his departure for Mexico in 1603. His Last Supper, painted for the Carthusians of Santa Maria de las Cuevas, is a pastiche of poses and motifs borrowed from prints by or after Heemskerck, de Vos and Cornelis Cort. In fact the stylistic correspondence to the paintings by these northern late Mannerists is close enough to suggest that V?zquez had been able to study their works, perhaps in the collections of the resident Flemish community
Paolo Veronese
last supper
Pintura identificación:: 69067
CONTACTE EEUU
China de Xiamen el Petróleo al por mayor que Pinta la Barra de Soga Marco al por mayor que Moldea el Espejo Pinturas Estiradas Encuadradas
